Skip to content

Hogarth: Place & Progress

We were approached by the Sir John Soane’s Museum to work in collaboration with Charles Holland Architects designing the display screens for a major Hogarth retrospective.

Our role

Detail design, build

Architect

Photos

Hogarth - Marriage A la Mode.
Zig-zag sapele display screens with green and dark panels hung with Hogarth engravings.

This was the largest exhibition the Soane had staged at the museum with paintings from both their own collection and on loan from the National Gallery. It was also the first time that the series of paintings from “Marriage A la Mode”, “Industry and Idleness” and “The Rakes Progress” had ever been displayed together.

Close-up of mirrors in the lower sapele frames reflecting the museum's worn floorboards.
Close-up of a sapele frame joint with diagonal brace below a green Armourcoat panel.
Gilt-framed Rake's Progress painting and label on a red panel above a sapele brace.

The solid sapele frames were inspired by the original Hogarth exhibition frames from 1884 for “The Rakes Progress”. The paintings are displayed on coloured polished Armourcoat panels set within the top section of the zig-zagging timber frames with mirrors included in some of the bottom sections, reflecting the museums interior.

Two sapele zig-zag screens displaying framed engravings on green panels in a stone-floored room.
Dark timber glass display case holding an open book beneath two gilt-framed paintings.
Green gallery with vaulted ceiling, framed Hogarth works and a central glass display case.